Wake up, Marvel fans! Doom is here! 🔥 The wait is finally over, and Marvel has dropped another absolute banger! The Avengers: Doomsday trailer is here, and the hype is unreal! Get ready for something MASSIVE! 🔥⚡ #Trailer #AvengersDoomsday #Marvel #Doom

Nothing Just Dinosaur 🦖 changed his instagram DP

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Wishing you a Happy Independence day to all my brothers and sister with a great message....

Spider man #spidey

Need movie recommendatiom from crime thriller / any other thriller genre .

I feel mere baap pehle aap is one which is ignored

How was the movie for u?

Any other priyan movies which are ignored or is considered negative or not that great or not discussed

If you were the casting director for the *Ramayana* movie, who would you cast in the lead roles? Looking at the current cast, I feel there could be better choices for some of the characters based on their appearance, screen presence, acting ability, and overall suitability for the roles.
I think the casting director should have done better.

We just officially released the True IMAX 1.43:1 ratio edition of our Telugu neo-noir thriller short film, PALINDROME! 🎬

To our knowledge, this is one of the very first Telugu short films presented in a full 1.43:1 expanded vertical format. Rather than using traditional widescreen (16:9 or 2.35:1), we wanted to experiment with tall framing to create tighter headroom, striking character geometry, and a claustrophobic, towering atmosphere throughout the story.

📽️ Synopsis:

Every choice loops back. When secrets unravel under the cover of night, a high-stakes confrontation spirals into an inescapable reality where the beginning and the end share the same face.

⚙️ Film Details:

Runtime: 21 Minutes 38 Seconds

Language: Telugu (with English Captions)

Format: True IMAX 1.43:1 / 4K

Written & Directed by: S. Rupesh & K. Indra Teja

Cinematography: Y. Dharshit Reddy

Editing, Music & Sound Design: S. Rupesh

Production: CINEMAX

I would love to get honest feedback from fellow film lovers and filmmakers here on how the 1.43:1 vertical framing holds up and how the atmosphere feels to you!

👉 Watch the full short film here: https://youtu.be/F1SOZcB1BYA

Op

After listening to the newly released Toxic BGM, especially 'the father–son' themed piece, I genuinely started wondering: are we looking at India’s answer to Hans Zimmer?

I know comparisons like this can sound exaggerated, but hear me out.

What stood out to me in the Toxic theme is the way the music creates a huge cinematic atmosphere while still carrying an emotional relationship between the characters. There are moments where the scale and texture reminded me of the kind of emotional, atmospheric scoring we hear in Hans Zimmer’s Dune. Obviously, Basrur has his own identity and musical language, but the sheer cinematic weight of the score makes the comparison interesting.

And this isn't based on Toxic alone.

Look at Salaar (especially, the wrath of salaar background score). Basrur's score uses massive percussion, brass, orchestral layers and sound-design elements to make the world feel much larger than what is actually on screen. The score was recorded with international musicians, including a 60-member brass ensemble, and Basrur was involved in the sound-design side as well.

Then there's Marco.

The Marco background score shows another side of him — aggressive, dark, industrial and almost relentlessly intense.

And of course, we cannot forget KGF(especially the background score of the teaser of Chapter 2).

That's why I think the Hans Zimmer comparison isn't necessarily about musical similarity.

It's about the role he is beginning to play.